Paddmini Chakma

BANGLADESH

Paddmini Chakma (she/her) is a photographer and activist from the Chakma Indigenous community in the Chittagong Hill Tracts, Bangladesh. Through visual storytelling, Paddmini challenges misrepresentation, explores identity, and advocates for social justice. Her work deconstructs stereotypes and brings visibility to the lived realities of minoritized communities, resisting dominant narratives that erase Indigenous voices. Through photography, she amplifies marginalized perspectives, sparking dialogue on power. Explore Paddmini’s moving images on her website: https://padmachakma98.wixsite.com/paddmini-chakma-2/home and follow her on Instagram to see her critical movements-based work: @paddmini_chakma

Through my artistic practice, I want to create a path for courage to question injustice and inequality. I want to live within that process, where art is not just a medium of expression but a form of inquiry, a form of resistance.
Paddmini Chakma

What role do you think art can play in social change?

I believe courage is contagious. Art, like any other language, is a way of expressing, questioning, and resisting. Through my artistic practice, I want to create a path for courage to question injustice and inequality. I want to live within that process, where art is not just a medium of expression but a form of inquiry, a form of resistance. I want people to think, to question, and to not forget.

How would you describe your artistic practice amplifying/supporting social movements?

My artistic practice amplifies social movements by focusing on identity and systemic inequality. Through my photography, I aim to challenge the stereotypes and biased narratives about Indigenous peoples often found in mainstream media, offering an alternative perspective that highlights their resilience and resistance. In 'Do You Really See Me?', I am exploring how the state dismisses Indigenous cultural and political identities, particularly in the absence of constitutional recognition. Development projects have forced entire villages to relocate, damaged essential natural resources, and disrupted the communities' deep connection to the land. Through my work, I question whether anyone truly acknowledges the Indigenous people’s presence, their fight for justice, and the significance of their culture.

 

What do you hope to achieve through this award?

This award would provide me with the resources and platform to amplify the voices of Indigenous communities on a global scale. It would help me gain greater recognition, allowing me to highlight our struggles and contribute to a broader understanding of our experiences.

Featured work

A tree stands alone behind barbed wire on the Sajek military helipad, land where Indigenous people were displaced for tourism.
A tree stands alone behind barbed wire on the Sajek military helipad, land where Indigenous people were displaced for tourism.
Two girls stand, waiting for the chocolates tourists throw from passing cars.
Two girls stand, waiting for the chocolates tourists throw from passing cars.
Tourists pose in wearing Lushai dress in a tourist museum in Sajek, yet the Lushai people themselves are missing, displaced by tourism.
Tourists pose in wearing Lushai dress in a tourist museum in Sajek, yet the Lushai people themselves are missing, displaced by tourism.